导演：
Radványi Géza
主演：
Artúr Somlay Miklós Gábor Zsuzsa Bánki
状态：
DVD
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
5.0
20240925第6期全纪实
薛之谦 张靓颖 周深 单依纯 黄子弘凡 刘端端 陈立农 段奥娟 王啸坤 孟佳 李嘉格 小柯 黄启越
音乐创作者带来音乐作品进行演唱,10位歌手听歌、双方交流、相互表态，完成初次双选。经过一周左右的歌曲完善后，歌手进行正式表演，现场大众乐迷，进行内测试听会。歌手与歌曲创作者面临终极抉择，参考大众反馈，
4.0
第2集
凯特琳·奥尔森 朱迪·雷耶斯 丹尼尔·逊亚塔 贾维西亚·莱斯利 德尼兹·阿克代尼兹 Amirah Johnson 马修·兰姆
Follows Morgan, a single mother of three with a brilliant mind, as she rearranges some evidence du
2.0
第11集
Putter Phubase Pratumrat 英卡纳·达荣萨功 Surf Patchara Silapasoonthorn Game Orarig Tanoi
WeTV 与 Dee Hup House合作新项目 梦中的人和现实中的人除了脸之外没有任何共同点，眼神、笑容、气息都完全不同，但即便如此，却有 一丝感觉像是同一个人。 在第六个月和第十二个月的
7.0
第12集
大塚刚央 伊驹百合绘 潘惠美 石见舞菜香 大久保瑠美 内山昂辉 前田诚二 小林裕介 佐仓绫音 伊藤静 铃村健一 小野大辅 志村知幸 高桥李依
电视动画《【我推的孩子】》宣布制作第二季，并公开特报影像及先导视觉图
10.0
第1集
吉尔·莫里森 克里斯·罗根 克莉斯汀·克鲁克 斯坦娜·卡蒂克 詹姆斯·克伦威尔 罗西弗·萨瑟兰 阿伦·道格拉斯 Cassandra Sawtell Mya Lowe 塔米·吉利斯 艾伦·坡尔 玛茜·T·豪斯 Savonna Spracklin 弗里齐·克莱万斯·德斯廷 加德纳·米勒 埃莉卡·杜兰斯
Based on the Edgar Award-winning, nine-book “Karl Alberg” series by the late Canadian author L.R.
7.0
正片
高良健吾 大东骏介 石田卓也 村上淳 佐藤浩市 椎名桔平
物語は13歳の少年・正樹が殺された事件から始まる。死体は町の中心にある橋の下に無残に捨てられ、小さな町はたちまち不安と恐怖に包まれた。正樹の同級生である春・晃・朔・直哉は、犯人は正樹がよく遊びに行って
1.0
第455集
莫谦 漆凯 莫逆 石凌鹤 MO 大海 索格 思东 X 雅澜 飞云 OJ 阿边 林珄 石头 滕家俊
宇宙浩瀚，产生无数的类型的生命体，这些生命体，形成万族万灵。万族万灵尽管种族不同，信仰不同，但一样的就是奢望得道。 任何一个生灵都是道心蒙尘，他们不甘如此，以修行来悟道而变得强大，甚至永生。天地大
1.0
第30集
金子璇 李若天
深夜，牢房内传出阵阵哀嚎声，娇小可爱的顺天府新晋捕头温岁岁成功拿到供词，明日江湖上无恶不作的鬼面刀将在“早澡汤”行动。次日，温岁岁先众人一步来到“早澡汤”外等候，随着澡堂内发出惊呼声，温岁岁冲进澡堂抓
9.0
第10集
陈芳彤 黑泽 张奕可 李紫一 江宇顺 王成
家境贫寒的李千金在父母的争吵声中长大，凭借血月她意外穿越回到1998年。李千金抓住机缘逆天改命，她一边助攻父母，挽救未来支离破碎的家庭，一边凭借自己的商业头脑把握机遇从而发家致富。贫穷女化身富一代的过
